Analysis of the art of Pablo Palazuelo Essay -- Art Artwork Pablo Pala

Geologic form un-e machinationhed Seeing through and through the art of Pablo Palazuelo Science and art are dickens di-fferent ways of getting to see the being,ways which-from a shared origin-evolved separately. ... The twodi-fferent conceptions as well as the corresponding attitudes andactivities reveal their reciprocal in/cidence (the result of their commonorigin) when they are canvass in depth and without pre/judice. --Pablo Palazuelo, (Vision-Time essay, Reina Sofa, 259) Today apprehension and art reflect two different ways of knowing the world. As a scientist, the geologist gets to know the world empirically, through the visual science of natures explicit geologic forms. The artist, on the other hand, gets to know the world through intuition, a prescient feeling that reveals the unvoiced nature of form itself. The art of contemporary Spanish painter Pablo Palazuelo provides a vehicle through which the geologist can know natural form by experiencing its misterium conjunc tionis of complementary desires, where arbitrary distinctions between science and art disappear.Seeing through Palazuelos art gives the geologist an insight into the way in which nature constitutes itself, an insight that all told reorients and clarifies the geologists way of thinking. This fresh new perspective opens the window of conscious perception by awakening the scientists dormant sensibilities. Geologic form was unearthed before me in this manner several years ago during a visit to the Museo de Arte Abstracto Espaol in Cuenca, Spain. The Lunariae series of Pablo Palazuelo caught my eye. At first glance I saw a brittle fracture system, not unlike ones I had mapped in a surface outcropping of rock or in an u... ...uries ago were disregarded and foresees those not yet born (Energy, Matter and Form essay, Soledad Lorenzo, 9).Palazuelos presentient art informs the batch of the perceptive scientist. The geologic form, unearthed by the geoscientist, informs the depictions of t he artist. In this sense, through their open dialog, the conceptions, attitudes and activities of science and art do indeed reflect their reciprocal in/cidence.The image is the experience itself.--Pablo Palazuelo (El cuerpo gemetra essay, Theo, 2)Works CiteDPalazuelo. Museo Nacional Centro de Arte Reina Sofa, Madrid, 1995.Palazuelo. Pinturas, esculturas y gouaches, Galera Theo, Madrid, 1985.Palazuelo. Galera Soledad Lorenzo, Madrid, 1997.Palazuelo, Pablo, and Kevin Power. Visin y Geometra Una Conversacin con KevinPower. Granada Deputacin Provincial de Granada, 1995.